Showing posts with label Mike Donlin. Show all posts
Showing posts with label Mike Donlin. Show all posts

Sunday, February 9, 2014

Abbott and Costello: Creating the Greatest Comedy Sketch of All Time

Abbott: Well Costello, I'm going to New York with you. You know Bucky Harris, the Yankee's manager, gave me a job as coach for as long as you're on the team.
Costello: Look Abbott, if you're the coach, you must know all the players.
Abbott: I certainly do.
Costello: Well you know I've never met the guys. So you'll have to tell me their names, and then I'll know who's playing on the team.
Abbott: Oh, I'll tell you their names, but you know it seems to me they give these ball players now-a-days very peculiar names.
Costello: You mean funny names?
Abbott: Strange names, pet names...like Dizzy Dean...
Costello: His brother Daffy.
Abbott: Daffy Dean...
Costello: And their French cousin.
Abbott: French?
Costello: Goofè.

Baseball players have always had nicknames. Some are more common than others.  The nickname "Red" has been applied to many players including Red Rolfe, the third baseman on the Yankees great 1930's teams and manager of the Detroit Tigers for several years, as well as Red Dooin, Catcher for the Phillies and Red Schoendienst, the Hall of Fame Second Baseman of the Cardinals and Braves.  "Lefty" of course applies to a left hand pitcher.  "Lefty" Carlton, "Lefty" Grove and "Lefty" Gomez being the most common.  There are some truly great nicknames that have been applied throughout the years.  Hugh Mulcahy, a pitcher for the Phillies, who lost 20 games in a season twice became forever known as "Losing Pitcher" Mulcahy because Philadelphia Sports Writers said the only time they saw his name in the paper it was always preceded by the words Losing Pitcher. The Waner brothers (Paul and Lloyd) were called "big poison" and "little poison" because when they hit back to back you had to pitch to one of them so you could pick your poison.  Padres Catcher Doug Gwosdz was known as eye chart (think about it) and Cardinals Pitcher Mark Rzepczynski is known as scrabble.  Al Simmons of the A's was famously known as "Bucket Foot" because he would routinely "step in the bucket" when he swung.  Ron Cey, the Dodgers great third baseman, was known as "the Penguin" because of the funny way he ran.  My personal favorite of all time is Freddy "Boom-Boom" Beck.  "Boom-Boom" pitched for the Phillies and it was said there were two booms on almost every pitch.  The first boom was the ball hitting the bat, the second boom was the ball hitting the wall at Baker Bowl.  

Abbott: Goofè Dean. Well, let's see, we have on the bags, Who's on first, What's on second, I Don't Know is on third...
Costello: That's what I want to find out.
Abbott: I say Who's on first, What's on second, I Don't Know's on third.
Costello: Are you the manager?
Abbott: Yes.
Costello: You gonna be the coach too?
Abbott: Yes.
Costello: And you don't know the fellows' names?
Abbott: Well I should.
Costello: Well then who's on first?
Abbott: Yes.
Costello: I mean the fellow's name.
Abbott: Who.
Costello: The guy on first.
Abbott: Who.
Costello: The first baseman.
Abbott: Who.
Costello: The guy playing...
Abbott: Who is on first!
Costello: I'm asking YOU who's on first.
Abbott: That's the man's name.
Costello: That's who's name?
Abbott: Yes.
Costello: Well go ahead and tell me.
Abbott: That's it.
Costello: That's who?
Abbott: Yes.

The Vaudeville stage and baseball had a strong connection.  Back at the turn of the century baseball stars took to the stage in the winter to make some extra cash.  John McGraw, Ty Cobb, Christy Mathewson and Rube Marquard all had strong connections to the stage.  Marquard even married a star of the stage in a story out of a soap opera.  Marquard and his future wife were having an affair.  Her husband accused her of infidelity.  She counter claimed abuse.  The husband tried to catch the two of them together which led to Marquard scrambling down a hotel fire escape to avoid being caught.  You can only imagine what McGraw felt about that kind of distraction.

Joe Tinker, of the famous Tinker to Evers to Chance combination, was a big enough hit to consider quitting the game.  "Turkey" Mike Donlin of the Giants actually left the game for a few years over a contract dispute and took to the stage.  Donlin was a good enough actor that after his retirement he appeared in several silent films including some Buster Keaton comedies.
The connection went two ways.  Don't forget it was a vaudeville man who wrote the baseball anthem.  At the turn of the century baseball sketches were all over the vaudeville map.  Bud Abbott would have been familiar with many of these.  His family was heavily involved in show business as part of the circus.  At the age of 16 Bud was working in the box office for a burlesque theater.  He went on to promote burlesque tours and by 1924 Bud was himself performing on stage with some of the most famous comedians.

Costello: Look, you gotta first baseman?
Abbott: Certainly.
Costello: Who's playing first?
Abbott: That's right.
Costello: When you pay off the first baseman every month, who gets the money?
Abbott: Every dollar of it.
Costello: All I'm trying to find out is the fellow's name on first base.
Abbott: Who.
Costello: The guy that gets...
Abbott: That's it.
Costello: Who gets the money...
Abbott: He does, every dollar. Sometimes his wife comes down and collects it.
Costello: Who's wife?
Abbott: Yes.
PAUSE
Abbott: What's wrong with that?
Costello: Look, all I wanna know is when you sign up the first baseman, how does he sign his name?
Abbott: Who.
Costello: The guy.
Abbott: Who.
Costello: How does he sign...
Abbott: That's how he signs it.
Costello: Who?
Abbott: Yes.

Lou Costello, the younger of the famous team, was surprisingly athletic and an excellent basketball player.  Born in New Jersey, Lou moved to Hollywood to try his luck in the movies. Not possessing the good looks of Valentino, Costello was usually the one doing stunts or building the sets for the movies he would have preferred to star in.  By the 1930's few people could handle the strains of the depression and being a sometimes actor was not the best career path so Costello decided to head back home.  Half way there he ran out of money.  Stuck in Missouri, he took to the vaudeville stage to make some money and started to make a name for himself as a comedian.




Costello: All I'm trying to find out is what's the guy's name on first base.
Abbott: No. What is on second base.
Costello: I'm not asking you who's on second.
Abbott: Who's on first.
Costello: One base at a time!
Abbott: Well, don't change the players around.
Costello: I'm not changing nobody!
Abbott: Take it easy, buddy.
Costello: I'm only asking you, who's the guy on first base?
Abbott: That's right.
Costello: Ok.
Abbott: All right.

The show business gods have a way of forcing people to meet.  If Pete Best hadn't had to miss a night playing with the Beatles in Hamburg, they may have never been forced to use the drummer from Rory Storm and the Hurricanes and Ringo Starr may never have been considered to replace Pete Best.  As Jimmy Page and John Paul Jones tried to convince John Bonham to join the New Yardbirds, Bonham insisted he would only join if they also hired the lead singer of his band.  Imagine what Led Zeppelin would have sounded like if Robert Plant was not the lead singer.  As NBC was preparing an American band to rival the Beatles two kid musicians decided to try out just for the hell of it.  Peter Tork was chosen to join the Monkees.  Steven Stills, his friend, was rejected.  Could you imagine Crosby Tork and Nash?

In 1930 as Lou Costello was gaining a reputation as an up and coming comedian.  He was all set to go on stage one night but his straight man fell ill.  Just his luck, the fates were literally waiting in the wings.  Bud Abbott stood in for Costello's wing man and the team worked together for the first time.  The two officially became a team in 1936 and by 1938 they were appearing together on the Kate Smith radio show.  In March 1938 they first performed the famous sketch.  It was an immediate hit.  In 1940 they appeared in a movie called One Night in the Tropics where they performed a short version of "Who's on First?".




Costello: What's the guy's name on first base?
Abbott: No. What is on second.
Costello: I'm not asking you who's on second.
Abbott: Who's on first.
Costello: I don't know.
Abbott: He's on third, we're not talking about him.
Costello: Now how did I get on third base?
Abbott: Why you mentioned his name.
Costello: If I mentioned the third baseman's name, who did I say is playing third?
Abbott: No. Who's playing first.
Costello: What's on first?
Abbott: What's on second.
Costello: I don't know.
Abbott: He's on third.
Costello: There I go, back on third again!
PAUSE
Costello: Would you just stay on third base and don't go off it.
Abbott: All right, what do you want to know?
Costello: Now who's playing third base?
Abbott: Why do you insist on putting Who on third base?
Costello: What am I putting on third.
Abbott: No. What is on second.
Costello: You don't want who on second?
Abbott: Who is on first.
Costello: I don't know.
Abbott & Costello Together:Third base!

When the team were given their own radio program they performed the sketch several times.  The most famous version was recorded during either 1947 or 1948 as it references Bucky Harris as the Yankees manager.  Harris manged the pinstripes for two years, defeating Jackie Robinson and the Dodgers in the 1947 World Series. 

Harris started playing with the Washington Senators in 1919 and by 1924 was managing the Senators.  Known as Clark Griffith's "boy wonder" manager, Harris led the Senators to the World Series in both 1924 and 1925, winning the 1924 World Series.  He managed the Senators until 1928.  He then managed the Tigers from 1929-1933, never finishing higher than 5th.  He led the Red Sox in 1934 and finished 4th.  He returned to the Senators as manager from 1935-1942, managed the Phillies for 1943.  Then came his chance to manage the Yankees for two years (1947 and 1948).  The Yankees manager until 1946 had been Joe McCarthy.  Hired after Harris was the legendary Casey Stengel.  After leaving the Yankees in 1948 Harris returned for a third tour in Washington from  1950-1954 and finally managed in Detroit (second tour) for 1955 and 1956.  Harris was inducted into the Hall of Fame in 1975.

Costello: Look, you gotta outfield?
Abbott: Sure.
Costello: The left fielder's name?
Abbott: Why.
Costello: I just thought I'd ask you.
Abbott: Well, I just thought I'd tell ya.
Costello: Then tell me who's playing left field.
Abbott: Who's playing first.
Costello: I'm not... stay out of the infield! I want to know what's the guy's name in left field?
Abbott: No, What is on second.
Costello: I'm not asking you who's on second.
Abbott: Who's on first!
Costello: I don't know.
Abbott & Costello Together: Third base!
PAUSE
Costello: The left fielder's name?
Abbott: Why.
Costello: Because!
Abbott: Oh, he's centerfield.

Although the two had become synonymous with the sketch they were not the authors.  There is a question as to who wrote the sketch and numerous people claimed it was them.  Regardless of who wrote the lines, Abbott and Costello's timing perfected it.

Costello: Look, You gotta pitcher on this team?
Abbott: Sure.
Costello: The pitcher's name?
Abbott: Tomorrow.
Costello: You don't want to tell me today?
Abbott: I'm telling you now.
Costello: Then go ahead.
Abbott: Tomorrow!
Costello: What time?
Abbott: What time what?
Costello: What time tomorrow are you gonna tell me who's pitching?
Abbott: Now listen. Who is not pitching.
Costello: I'll break your arm, you say who's on first! I want to know what's the pitcher's name?
Abbott: What's on second.
Costello: I don't know.
Abbott & Costello Together: Third base!
There is a danger in working closely with a partner.  There are cautionary tales everywhere of two partners who work together and have a public face of perfect harmony but have a strained relationship in real life.  Lennon and McCartney.  Crosby and Hope.  Astaire and Rogers.  Martin and Lewis.  The Sherman Brothers.  Steven Tyler and Joe Perry.  Even Tinker and Evers had a period where they wouldn't speak to each other under any circumstances, though they still turned a double play better than anyone.  Abbott and Costello had a period of not speaking as well.  For about two to three years the two would not speak unless they were performing.  Legend has it that Costello fired a domestic servant who was immediately hired by Abbott.  Costello took it personally and refused to speak to the other.  After a few years the frost thawed and the relationship appeared to repair itself.

Costello: Got a catcher?
Abbott: Certainly.
Costello: The catcher's name?
Abbott: Today.
Costello: Today, and tomorrow's pitching.
Abbott: Now you've got it.
Costello: All we got is a couple of days on the team.
PAUSE
Costello: You know I'm a catcher too.
Abbott: So they tell me.
Costello: I get behind the plate to do some fancy catching, Tomorrow's pitching on my team and a heavy hitter gets up. Now the heavy hitter bunts the ball. When he bunts the ball, me, being a good catcher, I'm gonna throw the guy out at first base. So I pick up the ball and throw it to who?
Abbott: Now that's the first thing you've said right.
Costello: I don't even know what I'm talking about!
PAUSE
Abbott: That's all you have to do.
Costello: Is to throw the ball to first base.
Abbott: Yes!
Costello: Now who's got it?
Abbott: Naturally.


Just as with any successful formula, there were plenty of copy cat sketches.  The most common variation was the use of rock band names.  Instead of Who, What and I Don't Know the most common bands used in the sketch were The Who, The Guess Who, The Band and Yes.  This sketch was done on SCTV with Eugene Levy and Tony Rosato and a similar sketch was seen on the animated tv series Animaniacs in the 1990's with Slappy the Squirrel and her nephew Skippy.  Another variation was seen on The Kids in the Hall when Dave Foley played the worst vaudeville comedian ever.  As Kevin McDonald's character is preparing to be exasperated by his partner Foley stops and explains to McDonald that the names, which sound like questions are really regular names.  Foley even goes so far as to explain that the third baseman is "Iduno, Phil Iduno.  I-D-U-N-O.  But I can see how if you say it fast it could sound like 'Gee, I don't know.' but it's not.  It's Phil Iduno."


Costello: Look, if I throw the ball to first base, somebody's gotta get it. Now who has it?
Abbott: Naturally.
Costello: Who?
Abbott: Naturally.
Costello: Naturally?
Abbott: Naturally.
Costello: So I pick up the ball and I throw it to Naturally.
Abbott: No you don't, you throw the ball to Who.
Costello: Naturally.
Abbott: That's different.
Costello: That's what I said.
Abbott: You're not saying it...
Costello: I throw the ball to Naturally.
Abbott: You throw it to Who.
Costello: Naturally.
Abbott: That's it.
Costello: That's what I said!
Abbott: You ask me.
Costello: I throw the ball to who?
Abbott: Naturally.
Costello: Now you ask me.
Abbott: You throw the ball to Who?
Costello: Naturally.
Abbott: That's it.
Costello: Same as you! Same as YOU! I throw the ball to who. Whoever it is drops the ball and the guy runs to second. Who picks up the ball and throws it to What. What throws it to I Don't Know. I Don't Know throws it back to Tomorrow, Triple play. Another guy gets up and hits a long fly ball to Because. Why? I don't know! He's on third and I don't give a darn!
Abbott: What?
Costello: I said I don't give a darn!
Abbott: Oh, that's our shortstop.

Why has the sketch endured?  It is hard to say.  In  1999 Time magazine named "Who's on First" as the best comedy sketch of the century. Most people know the fictional starting lineup of Who, What and I Don't Know better than they do the starting infield of last year's World Series champs.  In 2007 the Dodgers called up a player late in the season for his first Major League experience.  As that player got his first Major League hit, a single, Vin Scully made the perfect call, as he always does.  Chin Ling Hu stood on first base with a single  and Vin said the perfect thing:  "Okay everbody, all together:  Hu's on first."


TRIVIA QUESTION:
Jimmy Fallon's late night show did a sketch featuring the character's of Who and I Don't Know.  What two legendary comedians played the two famous characters?

ANSWER TO LAST WEEK'S TRIVIA QUESTION:
The expansion draft for The Angels and replacement Senators team was a disaster.  The two teams were given a list of players to choose from.  By the rules, no team could lose more than seven players total and neither of the new teams could choose more than four players from any one team.  At the end of the final round it was revealed that the Tigers had lost more than seven players, the Angels had selected more than the four player limit from several teams and the Senators had done the same.  At that point the two teams had to back track and choose again, return players and trade some players to even everything out.  At the end of the draft it was again determined that the Senators had taken too many players from one team.  Instead of backtracking again the Senators decided to trade one of the players to the Angels.  The Angels had a choice of three players and reportedly their representative said "I don't know who to take.  We'll take a chance on Chance."  They were referring to Dean Chance who went on to become one of the first stars of the organization finishing third in the 1962 Rookie of the Year voting and winning the Cy Young awared in 1964.

Saturday, January 26, 2013

9 Players You May Not Know from the 1900's but Should

The National League owners were confident that they were the only game in town.  They had no competition.  They could do anything they wanted.  Charles Comiskey and Ban Johnson were tired of it  and decided to do something about it.  They purchased the Western League, a minor league organization, and started planning.  They set up organizations in Chicago, Boston, Detroit, Baltimore, Philadelphia, Cleveland, Washington and Milwaukee and declared that in 1901 they would start play as the American League a Major League on par with the National League.  As an extra challenge to the National League, they placed teams in several cities where the National League already had a presence. 

In order to compete with the established National League they needed established talent.  Knowing the players in the NL were unhappy with their contract situations Johnson and Comiskey went calling.  They signed Connie Mack to run the Philadelphia organization and John McGraw as the  player/manager of the Baltimore organization,  They grabbed players like Cy Young, Jimmy Collins, Ed Delahanty, Sam Crawford and George Davis.  Some of these players went directly to the cross town competition.  None caused more controversy than Napoleon LaJoie.

Nap played for the Phillies, who were very successful at the turn of the century, mostly because of LaJoie and Delahanty.  The owners could do anything they wanted so they set a ceiling on the amount of money any one player could make.  The Phillies had a secret deal with LaJoie to give him  bit of a bonus and promised him that although he couldn't tell anyone, LaJoie was the highest paid player in the league.  He soon found out that Delahanty had a similar agreement that was $1,000 higher than LaJoie's .  Nap was not happy.  Not only did he jump to the American League, he jumped to the team that would cause the most distress to the Philllies:  the crosstown Athletics. Now it was the Phillies' turn to be unhappy.  They sued LaJoie saying that he was still under contract to them and therefore he couldn't play for another team.  The Phillies won the case and the court declared that he was not permitted to play for any team unless it was the Phillies.  Fortunately for LaJoie the court injunction was only effective in Pennsylvania.  For the good of the league Connie Mack sent Lajoie to the Cleveland franchise.  Any time the Indians played in Philadelphia, Nap would get a free vacation to Atlantic City.

The original 8 franchises of the American League are all still in operation in one form or another, just not all in the same place. Boston is still the Red Sox, Cleveland is still the Indians,Chicago is still the White Sox and Detroit is still the Tigers.  The other four teams are still around just not the same as they were in 1901.  The Philadelphia Athletics eventually moved to Kansas City before moving to Oakland (and possibly to San Jose in the coming years).   The Washington franchise moved to Minnesota to become the Twins.  The Baltimore Orioles moved to New York and became the Highlanders (also called the Hilltoppers and later the Yankees).  The Milwaukee Millers moved to St. Louis and became the Browns until they moved to Baltimore in 1954 to become the current Orioles.

The American League's arrival was successful and led to an all out war with the National League.  It was bitter, it was ugly and it was dirty.  There were attempts to discredit the other league, arguments and flat out fights between the owners and both leagues claiming they were the real major league.  After a few years the National League owners had enough and begged for peace.  The owners met in Cincinnati in the winter of 1903 (the first ever owners' "hot stove winter meetings") and came to an agreement.  Both leagues would be considered Major Leagues.  At the end of each season the winner of the American League would play the winner of the National League in a series to determine the champion of the Major Leagues.  It would be considered a World's Series.

The first decade of the World Series was not always exciting.  Often the pennant races were more exciting than the championship seasons. The first ever World Series in 1903 had the Boston Pilgrims (now the Red Sox) and the Pittsburgh Pirates.  The Red Sox won the best of 9 Series The 1905, 1906, 1907 and 1908 World Series were all decided in 6 games or less. 

The 1909 World Series had everything. It had the best against the best.  Tigers vs. Pirates.  Ty Cobb vs. Honus Wagner.  The best hitter in the AL vs the best hitter in the AL.  It was the first World Series to go the full 7 games and the Pirates won the World Series causing Cobb to lose his last chance at the World Series title.



For Cubs fans, still waiting for a World Series championship, these were the glory days.  The 1906 Cubs have the highest winning percentage in history, higher than the 1927 Yankees, 1929 Athletics, 1998 Yankees or 2001 Seattle Mariners.  The Cubbies reached the World Series in 1906, 1907 and 1908 becoming the first team to reach three consecutive World Series and the first to win back to back World Series.  The day before the replay of the Merkle game, Cubs manager Frank Chance made a statement that would have sent fear into the hearts of the opponents of the time, but would have sent laughter across the world had it been said today:  "Who ever heard of the Cubs losing a game they had to have?"

Although the names of Ty Cobb, Honus Wagner, Ed Walsh, Napoleon LaJoie and Rube Waddell will be the names that are remembered thirty, forty or fifty years from now (or more), every decade has tremendously talented, successful players who make wonderful contributions to the success of their teams, organizations and the league as a whole. Unfortunately many of the players who fall into this category will be forgotten, overlooked and generally ignored. Here are 11 players* from the decade you may not remember but you definitely should:



Catcher
Johnny Kling


Career Teams:  Chicago Orphans/Cubs (1900-1908 and 1910-1911), Boston Rustlers/Braves (1911-1912) and Cincinnati Reds (1913)
MVP Voting: 1911 (27th)
The Cubs were a well oiled machine.  Year after year they kept chugging along, winning National League pennants in 1906, 1907 and 1908.  Two World Series championships. No reason to believe the winning wouldn't continue as the years went on.  Kling had a second job running a pool hall in his home town of Kansas City.  It was an expensive investment and a successful investment and he spent the 1910 season running the business, not behind the plate for the Cubs.  They suffered for it.  The Cubs missed an opportunity to become the first team to reach the World Series four straight years but without Kling to guide the pitching staff and throw out the runners the way only he could, the Pirates played in October instead of the Cubs.  Kling returned for the 1910 season and, no big shock, the Cubs returned to the World Series.  Kling was not a huge offensive threat but he fit into the style of play that Frank Chance loved.  Smart, heads up, alert baseball.  Always keeping the opposition on their toes and always taking advantage of their mistakes.  Kling is certainly not a Hall of Fame player but Chance would not have wanted anyone else behind the plate during those years.



Firstbase
"Prince" Hal Chase


Career Teams:  New York Highlanders (1905-1913), Chicago White Sox (1913-1914), Buffalo Feds (Federal League) (1914-1915), Cincinnati Reds (1916-1918) and New York Giants (1919)
MVP Voting:  None.
Hal Chase has been described as one of the most talented Firstbasemen in the history of the sport.  He was widely known as the best defensive first sacker in the game and immensely talented with the bat as well.  Chase even helped write an instructional manual called "How to Play Firstbase".  He had one major character flaw.  He was crooked as hell.  Frank Chance took over as manager of the New York Highlanders (still a few years from being known as the Yankees) in 1913 with Chase as his firstbaseman.  The team was going nowhere, players were not making the gigantic salaries now and Chase could always do with extra cash.  He learned to  make crooked plays look straight.  He would play a step or two farther off the line or deeper than normal and react a split second too late, letting the ball glance off his glove to allow a runner to reach the bag.  Throw just wide when the pitcher is covering first.  One day after a particularly poor fielding day for the Yankees, Chance visited the press box to find out how the game was being scored.  He was told the fielders were being charged with throwing errors.  Chance was angry.  "Those throws aren't wild." Chance said. "Chase is making them look that way."  Chance knew Chase was throwing games but the Highlander management didn't want a scandal.  Chance was not the only manager to suspect.  Christy Mathewson managed Chase with the Reds.  Mathewson was the personification of fair play, the boyhood idol of the nation.  Christy was triumphed in the press as the most honest person in the league, the man who changed the negative perception of the profession.  He saw, just as Chance did, that Chase was crooked. He was not afraid to cause a stir and complained to the owners of the Reds and the league offices.  Chase was investigated and set to have a hearing.  Luckily for Chase, Mathewson was overseas in World War I at the time of the trial and unable to testify.  Without his testimony Chase was cleared.  The Reds released him but John McGraw was willing to take anyone he believed would help him win. He made a wrong decision.  As the 1919 season unfolded McGraw saw the same things Chance and Mathewson had seen.  Chase would play out of position.  Break to the bag late.  Fail to field easy throws that then looked like they were poorly thrown.  McGraw didn't have to worry long.  As the Black Sox scandal unfolded Chase's name came up often.  The investigation made it clear that he was aware of the fix and had bet heavily on the Reds.  When Commissioner Landis made a ruling on the eight  Chicago players, Chase was also banned from baseball. His talent that could have allowed his name to live forever as a legend of baseball was wasted and used to make his name infamous as the most crooked player in history.

Secondbase
Johnny Evers


Career Teams:  Chicago Orphans/Cubs (1902-1913), Boston Braves (1914-1917), Philadelphia Phillies (1917), Chicago White Sox (1922) and Boston Braves (1929)
MVP Voting:  1912 (20th), 1913 (10th) and 1914 (1st)
There is always a great debate over what makes a Hall of Fame player.  Over the years the voters have developed some "automatic" qualifiers:  3000 hits, 500 Home Runs, .300 batting average.  Johnny Evers doesn't meet any of them.  There are others who feel that to reach the Hall of Fame, the story of your era cannot be told without your inclusion.  Evers certainly meets that criteria.  Still, others feel that your career needs to have one identifiable, era defining moment.  Evers has several of them.  Recently there are those who argued that Joe Tinker, Johnny Evers and Frank Chance are not Hall of Fame caliber players and are only in the Hall of Fame because of a famous poem written about them.  The people who argue this miss the point.  The Hall of Fame is not always about sheer numbers it is about impact and legacy.  The Chicago Cubs teams from 1906-1910 were truly great teams and the Tinker, Evers and Chance combination was without a doubt the reason.  The three men worked together to develop some plays that are used today including the hit and run and an intentional bounce on the throw from shortstop to first to lower the chance of over throwing the ball.  They perfected the station to station, sacrifice bunts, stolen base one run at a time style of the day.  Alternately known as the "Crab" for his sour disposition and the way he approached ground balls and "the Trojan"  for his hometown of Troy, NY, Evers was hands down the best second baseman in the National League in his era.  His contributions were far beyond numbers.  His attitude, determination and fiery spirit were big reasons the Cubs were the best team of the decade.  Evers was not one to shy away from a night out on the town but never when it would interfere with his success on the diamond.  It was said that Evers would curl up in bed every night with a chocolate bar, the Sporting News and the league rule book.  His knowledge of the rules led to his involvement in one of the most infamous moments in baseball history, "Merkle's boner."  As the Cubs prepared for the 1910 World Series Evers broke his ankle in several places at the end of the regular season, depriving the Cubs of one of their greatest weapons  at the worst possible time.  It would be easy to claim that Evers was only effective when he had the help of the strong Cubs team, yet when he moved on to a poor Braves team that had not had any competitive success to speak of he created a miracle.  Evers came on board in Beantown in 1914 and was the driving force behind the Braves' miracle World Series win.  Evers won the MVP award in 1914 leading the Braves to their first ever World Championship.  Evers' numbers may not match up with modern day players but those who argue he does not belong in the Hall of Fame miss the point of what makes a Hall of Fame player.

Shortstop
George Davis


Career Teams:  Cleveland Spiders (1890-1892), New York Giants (1893-1901), Chicago White Sox (1902), New York Giants (1903) and Chicago White Sox (1904-1909)
MVP Voting: None.
It was a helpless feeling. Sitting in the stadium, watching his 1903 Giants teammates practice and not permitted to play.  He could play. Just not with the Giants.  He was one of the best Shortstops of his time.  It was the reason the White Sox wanted him so badly.  They threw money at him in 1901, more than he made from the Giants, and Charles Comiskey didn't ever throw money at anything.  Davis accepted the Chicago offer, jumped to the American League and abandoned his New York Giants contract.  He had a good season, not great, hitting .299 but he was a big help to the new franchise.  Then the winter of 1903 came and with it a visit from John McGraw.  He told Davis that legally, because of the reserve clause, he was still under contract with the Giants and, although they weren't happy about being abandoned, they were willing to forgive and forget and give him an even larger salary than Comiskey.  So Davis accepted and jumped back to the National League with the Giants.  That same winter the leagues decided to settle on peace instead of all this fighting.  As the owners discussed ways to bring about compromise they went through the list of players who had jumped leagues one by one to decide who would be sent back to the National League and whose contract would be accepted as legitimate in the American League.  When they got to George Davis it was agreed.  He would have to go back to the White Sox.  No one consulted Davis but that was that.  He played for the White Sox now.  Under his old contract, under their terms.  He refused.  He wouldn't report.  He was told it was that or nothing.  He held out as long as he could, spurred on in his rebellion by McGraw.  Against all orders McGraw even played Davis in four games.  The National League owners were furious.  All the work to bring about peace between the leagues was about to be undone because McGraw was playing Davis when he was technically a member of the White Sox.  Davis eventually went to the White Sox and they were happy to have him.  As the 1906 "hitless wonders" White Sox overcame the Chicago Cubs grizzly attack in the 1906 World Series Davis hit .308, drove in 6 runs and had 3 doubles.  Davis learned to accept his role with the White Sox, although he never earned the amount of money McGraw would have paid him in New York.

Thirdbase:
George Rohe


Career Teams: Baltimore Orioles (1901) and Chicago White Sox (1905-1907)
MVP Voting:  None.
George Rohe did not have a very long or a very successful career in the major leagues, but like Jimmy Sebring he made a major contribution to early World Series play.  As the White Sox "hitless wonders" prepared to take on the 1906 Chicago Cubs, one of the greatest teams in history, Rohe was not expected to play. The weather in Chicago that fall was bitterly cold and George Davis caught a cold.  The White Sox adapted for the first game moving Les Tannehill, their regular third baseman, to Shortstop and played George Rohe at thirdbase.  Not known as a powerful hitter Rohe tied for the team lead in hitting in the Series at .333. He not only led the team in hitting, he had timely hits.  In Game One with the score tied at 0 in the 5th Rohe tripled down the left field line.  The next batter hit a slow ground ball right back to the pitcher. Rohe didn't hesitate.  He ran on contact.  Three Finger Brown, the Cubs pitcher, fielded the ball as Rohe tore down the line.  The ball beat Rohe to the plate as Rohe slid.  Johnny Kling, the Cubs Catcher, dropped the ball and Rohe scored the first run of the series.  The Cubs would win the game 2-1.  Game 3 was tied at 0 in the 6th with the bases loaded when Rohe stepped up.  There were two outs and with the light hitting Rohe at the plate the Cubs may have relaxed a bit.  It was a poor decision.  Rohe ripped another pitch into the gap.  There were runners flying everywhere as the Cubs tracked the ball down.  The ball was thrown back into the infield and Rohe was held at third base but only after three runs had scored giving the White Sox all the runs they would need.  Of the four wins in the series for the White Sox two of them came courtesy of George Rohe.

Outfield:
Jimmy Sebring


Career Teams:  Pittsburgh Pirates (1902-1904), Cincinnati Reds (1904-1905), Brooklyn Superbas (1909) and Washington Senators (1909)
MVP Voting:  None.
This was all uncharted territory.  No one had experienced this type of series before. It was quite an experience.  There was an overflow crowd, so large that the outfield was partially roped off and fans were given standing room only on the field.  Any ball hit into the roped off area was a ground rule double. For Jimmy Sebring, a rookie on a veteran Pirates team, he had already had a good day having driven in two runs earlier in the game.  In the seventh inning, with the Pirates already ahead by 5 runs, Sebring ripped into a pitch and sent it over the head of Buck Freeman.  Sebring was sprinting immediately, thinking triple.  Buck Freeman was sure it would reach the roped off area and Sebring would be held at second.  The ball rolled to within ten feet of the crowd and stopped.  Sebring kept tearing around the bases  Freeman saw it stop and realized he made a terrible misjudgement.  He sprinted toward the ball to make a desperate play on the ball.  It was too late.  Sebring, running hard the whole way, scored easily.  It was the first ever home run in World Series history, an inside the park home run.  The rest of Sebring's career was not the greatest but he will forever be remembered for the first round tripper in World Series history.

"Turkey" Mike Donlin


Career Teams: 
MVP Voting:  St.Louis Perfectos/Cardinals (1899-1900), Baltimore Orioles (1901), Cincinnati Reds (1902-1904), New York Giants (1904-1906 and 1908 and 1911), Boston Rustlers (1911),  Pittsburgh Pirates (1912) and New York Giants (1914)
"Turkey" Mike was a character, literally.  During this era it was rare that players earned enough as a player to last them the whole year.  A second income was need to get through the winter months.  Donlin reached the heights of fame playing for the Giants and decided to make some money off his fame.  He went to vaudeville and starred on the stage.  The reviews were great and he loved the job.  He not only enjoyed it but met the love of his life, Vaudeville star Mabel Hite.  Falling in love with the stage and Mabel, Donlin left the Major Leagues to manage Mabel's career.  He missed several years (McGraw's World Series losses may have been different if he had played) but when Mabel passed away from cancer Donlin came back.  His heart wasn't in it.   He played a few partial seasons but he didn't have the passion he had for acting.  He moved to Hollywood and became good friends with Lionel Barrymore.  Barrymore helped Donlin get into some movies, none very good, and Donlin loved it.  He appeared in over 60 movies starting in 1914.  Donlin died of a heart attack at the young age of 55 in Hollywood.

Patsy Dougherty

Career Teams:  Boston Pilgrims (1902-1904), New York Highlanders (1904-1906) and Chicago White Sox (1906-1911)
MVP Voting:  None.
He had never been so furious in his life.  One poor swing of the bat, one bad hop, one cloud of dust and one call all within one minute and his rage erupted.  This World Series was tied at 2 games each and the White Sox had a chance at a big inning to put this game away early.  Dougherty knew that every missed opportunity against a Cubs team that had experienced more success than anyone imagined possible, could be fatal. It was the top of the first with two outs.  George Davis stood on third base, George Rohe on second (after a ground rule double) and Jiggs Donahue at first.  This was Dougherty's chance to break it all wide open, just like he had in the 1903 World Series.  Ed Ruelbach delivered the pitch and Patsy swung.  He made contact but it wasn't good contact.  The ball went straight back to Ruelbach's feet, hit the mound and bounced straight up.  Dougherty tore down the first base line.  With two outs he had to reach first or it didn't mean anything.  Davis and Rohe crossed the plate.  At second base, Johnny Evers reacted immediately. As the ball came back to the mound, hit the mound and deflected off of Ruelbach's glove, Evers was right there to field it.  Dougherty heard the first base coach screaming this would be close.  Evers grabbed the ball, off balance, threw with whatever he could on the ball as Dougherty dove head first into the first base bag.  It was hard to hear anything over the crowd.  It seemed that everything hung on this play.  Safe and two runs had scored.  Out and it all disappeared like nothing had happened.  "Out!".  Dougherty jumped up and went right after the ump.  Fielder Jones, the player- manager, joined in.  It was too much for Dougherty.  The White Sox had worked so hard to have it all blown by this call. It didn't matter in the end.  The White Sox won Game 5 by a score of 8-6 and Game 6 by a score of 8-3 for the World Championship.  As Dougherty watched an easy ground ball to Jiggs Donahue for the final out of the 1906 World Series he may have had a sense of deja vu.  He had seen this same thing a few years earlier.  In 1903 as Honus Wagner struck out to end the World series making the Boston Pilgrims (Red Sox) the first ever World Series champions, Dougherty stood in left field.  Dougherty did not have a tremendous 1906 World Series, he hit only .100, yet he achieved something no one had done before but many would do after.  Although he was not a Hall of Fame player he was the first to do what Johnny Evers, Babe Ruth, Frankie Frisch, Pete Rose, Reggie Jackson, Catfish Hunter,  Darryl Strawberry and Pat Burrell would do over the next 100 plus years.  Patsy Dougherty was the first player to win a World Series with two different teams.

Pitcher:
Bill Dinneen


Career Teams:  Washington Senators (1898-1899), Boston Beaneaters (1900-1901), Boston Pilgrims/Americans/Red Sox (1902-1907) and St.Louis Browns (1907-1909)
MVP Voting: None.
The players of the 1903 World Series did not think of the matchup in the way we view it now.  The Pittsburgh Pirates likely viewed it as an annoyance that they had already won the championship and now had to lower themselves to face the "inferior" American League.  The Red Sox saw it as an annoyance because their contracts had already expired so they wouldn't be getting paid for the games.  Regardless, both sides wanted to win.  The honor of the league was at stake.  There was pure, genuine hatred between the leagues.  The Pirates jumped out to a 3-1 lead in the best of 9 series.  Then Bill Dinneen took over.  He won three games in the Series while allowing only 8 runs in four games and striking out 29.  As the Red Sox ran out of extra pitchers, Dinneen and Cy Young alternated pitching in the series and the two of them shut down the powerful Pirates lineup.  Dinneen's career wasn't over when he stopped playing.  Although he only played in one World Series he participated in eight more.  Dinneen was a tremendous umpire for the American League for years after he stopped pitching and was one of the best ever.  It would be interesting to know what his reaction would have been when pitchers questioned his balls and strikes calls.

Author's Note:   It is important to remember as we follow the sport that the superstars are not the only ones making contributions to the success of a team.  This is not a comprehensive list of players who fall into this category from this era, it is simply my choice of players who best represented their position and have become forgotten.  Your list is probably different.  Email me yours or leave a comment.