Showing posts with label Bucky Harris. Show all posts
Showing posts with label Bucky Harris. Show all posts

Sunday, February 9, 2014

Abbott and Costello: Creating the Greatest Comedy Sketch of All Time

Abbott: Well Costello, I'm going to New York with you. You know Bucky Harris, the Yankee's manager, gave me a job as coach for as long as you're on the team.
Costello: Look Abbott, if you're the coach, you must know all the players.
Abbott: I certainly do.
Costello: Well you know I've never met the guys. So you'll have to tell me their names, and then I'll know who's playing on the team.
Abbott: Oh, I'll tell you their names, but you know it seems to me they give these ball players now-a-days very peculiar names.
Costello: You mean funny names?
Abbott: Strange names, pet names...like Dizzy Dean...
Costello: His brother Daffy.
Abbott: Daffy Dean...
Costello: And their French cousin.
Abbott: French?
Costello: Goofè.

Baseball players have always had nicknames. Some are more common than others.  The nickname "Red" has been applied to many players including Red Rolfe, the third baseman on the Yankees great 1930's teams and manager of the Detroit Tigers for several years, as well as Red Dooin, Catcher for the Phillies and Red Schoendienst, the Hall of Fame Second Baseman of the Cardinals and Braves.  "Lefty" of course applies to a left hand pitcher.  "Lefty" Carlton, "Lefty" Grove and "Lefty" Gomez being the most common.  There are some truly great nicknames that have been applied throughout the years.  Hugh Mulcahy, a pitcher for the Phillies, who lost 20 games in a season twice became forever known as "Losing Pitcher" Mulcahy because Philadelphia Sports Writers said the only time they saw his name in the paper it was always preceded by the words Losing Pitcher. The Waner brothers (Paul and Lloyd) were called "big poison" and "little poison" because when they hit back to back you had to pitch to one of them so you could pick your poison.  Padres Catcher Doug Gwosdz was known as eye chart (think about it) and Cardinals Pitcher Mark Rzepczynski is known as scrabble.  Al Simmons of the A's was famously known as "Bucket Foot" because he would routinely "step in the bucket" when he swung.  Ron Cey, the Dodgers great third baseman, was known as "the Penguin" because of the funny way he ran.  My personal favorite of all time is Freddy "Boom-Boom" Beck.  "Boom-Boom" pitched for the Phillies and it was said there were two booms on almost every pitch.  The first boom was the ball hitting the bat, the second boom was the ball hitting the wall at Baker Bowl.  

Abbott: Goofè Dean. Well, let's see, we have on the bags, Who's on first, What's on second, I Don't Know is on third...
Costello: That's what I want to find out.
Abbott: I say Who's on first, What's on second, I Don't Know's on third.
Costello: Are you the manager?
Abbott: Yes.
Costello: You gonna be the coach too?
Abbott: Yes.
Costello: And you don't know the fellows' names?
Abbott: Well I should.
Costello: Well then who's on first?
Abbott: Yes.
Costello: I mean the fellow's name.
Abbott: Who.
Costello: The guy on first.
Abbott: Who.
Costello: The first baseman.
Abbott: Who.
Costello: The guy playing...
Abbott: Who is on first!
Costello: I'm asking YOU who's on first.
Abbott: That's the man's name.
Costello: That's who's name?
Abbott: Yes.
Costello: Well go ahead and tell me.
Abbott: That's it.
Costello: That's who?
Abbott: Yes.

The Vaudeville stage and baseball had a strong connection.  Back at the turn of the century baseball stars took to the stage in the winter to make some extra cash.  John McGraw, Ty Cobb, Christy Mathewson and Rube Marquard all had strong connections to the stage.  Marquard even married a star of the stage in a story out of a soap opera.  Marquard and his future wife were having an affair.  Her husband accused her of infidelity.  She counter claimed abuse.  The husband tried to catch the two of them together which led to Marquard scrambling down a hotel fire escape to avoid being caught.  You can only imagine what McGraw felt about that kind of distraction.

Joe Tinker, of the famous Tinker to Evers to Chance combination, was a big enough hit to consider quitting the game.  "Turkey" Mike Donlin of the Giants actually left the game for a few years over a contract dispute and took to the stage.  Donlin was a good enough actor that after his retirement he appeared in several silent films including some Buster Keaton comedies.
The connection went two ways.  Don't forget it was a vaudeville man who wrote the baseball anthem.  At the turn of the century baseball sketches were all over the vaudeville map.  Bud Abbott would have been familiar with many of these.  His family was heavily involved in show business as part of the circus.  At the age of 16 Bud was working in the box office for a burlesque theater.  He went on to promote burlesque tours and by 1924 Bud was himself performing on stage with some of the most famous comedians.

Costello: Look, you gotta first baseman?
Abbott: Certainly.
Costello: Who's playing first?
Abbott: That's right.
Costello: When you pay off the first baseman every month, who gets the money?
Abbott: Every dollar of it.
Costello: All I'm trying to find out is the fellow's name on first base.
Abbott: Who.
Costello: The guy that gets...
Abbott: That's it.
Costello: Who gets the money...
Abbott: He does, every dollar. Sometimes his wife comes down and collects it.
Costello: Who's wife?
Abbott: Yes.
PAUSE
Abbott: What's wrong with that?
Costello: Look, all I wanna know is when you sign up the first baseman, how does he sign his name?
Abbott: Who.
Costello: The guy.
Abbott: Who.
Costello: How does he sign...
Abbott: That's how he signs it.
Costello: Who?
Abbott: Yes.

Lou Costello, the younger of the famous team, was surprisingly athletic and an excellent basketball player.  Born in New Jersey, Lou moved to Hollywood to try his luck in the movies. Not possessing the good looks of Valentino, Costello was usually the one doing stunts or building the sets for the movies he would have preferred to star in.  By the 1930's few people could handle the strains of the depression and being a sometimes actor was not the best career path so Costello decided to head back home.  Half way there he ran out of money.  Stuck in Missouri, he took to the vaudeville stage to make some money and started to make a name for himself as a comedian.




Costello: All I'm trying to find out is what's the guy's name on first base.
Abbott: No. What is on second base.
Costello: I'm not asking you who's on second.
Abbott: Who's on first.
Costello: One base at a time!
Abbott: Well, don't change the players around.
Costello: I'm not changing nobody!
Abbott: Take it easy, buddy.
Costello: I'm only asking you, who's the guy on first base?
Abbott: That's right.
Costello: Ok.
Abbott: All right.

The show business gods have a way of forcing people to meet.  If Pete Best hadn't had to miss a night playing with the Beatles in Hamburg, they may have never been forced to use the drummer from Rory Storm and the Hurricanes and Ringo Starr may never have been considered to replace Pete Best.  As Jimmy Page and John Paul Jones tried to convince John Bonham to join the New Yardbirds, Bonham insisted he would only join if they also hired the lead singer of his band.  Imagine what Led Zeppelin would have sounded like if Robert Plant was not the lead singer.  As NBC was preparing an American band to rival the Beatles two kid musicians decided to try out just for the hell of it.  Peter Tork was chosen to join the Monkees.  Steven Stills, his friend, was rejected.  Could you imagine Crosby Tork and Nash?

In 1930 as Lou Costello was gaining a reputation as an up and coming comedian.  He was all set to go on stage one night but his straight man fell ill.  Just his luck, the fates were literally waiting in the wings.  Bud Abbott stood in for Costello's wing man and the team worked together for the first time.  The two officially became a team in 1936 and by 1938 they were appearing together on the Kate Smith radio show.  In March 1938 they first performed the famous sketch.  It was an immediate hit.  In 1940 they appeared in a movie called One Night in the Tropics where they performed a short version of "Who's on First?".




Costello: What's the guy's name on first base?
Abbott: No. What is on second.
Costello: I'm not asking you who's on second.
Abbott: Who's on first.
Costello: I don't know.
Abbott: He's on third, we're not talking about him.
Costello: Now how did I get on third base?
Abbott: Why you mentioned his name.
Costello: If I mentioned the third baseman's name, who did I say is playing third?
Abbott: No. Who's playing first.
Costello: What's on first?
Abbott: What's on second.
Costello: I don't know.
Abbott: He's on third.
Costello: There I go, back on third again!
PAUSE
Costello: Would you just stay on third base and don't go off it.
Abbott: All right, what do you want to know?
Costello: Now who's playing third base?
Abbott: Why do you insist on putting Who on third base?
Costello: What am I putting on third.
Abbott: No. What is on second.
Costello: You don't want who on second?
Abbott: Who is on first.
Costello: I don't know.
Abbott & Costello Together:Third base!

When the team were given their own radio program they performed the sketch several times.  The most famous version was recorded during either 1947 or 1948 as it references Bucky Harris as the Yankees manager.  Harris manged the pinstripes for two years, defeating Jackie Robinson and the Dodgers in the 1947 World Series. 

Harris started playing with the Washington Senators in 1919 and by 1924 was managing the Senators.  Known as Clark Griffith's "boy wonder" manager, Harris led the Senators to the World Series in both 1924 and 1925, winning the 1924 World Series.  He managed the Senators until 1928.  He then managed the Tigers from 1929-1933, never finishing higher than 5th.  He led the Red Sox in 1934 and finished 4th.  He returned to the Senators as manager from 1935-1942, managed the Phillies for 1943.  Then came his chance to manage the Yankees for two years (1947 and 1948).  The Yankees manager until 1946 had been Joe McCarthy.  Hired after Harris was the legendary Casey Stengel.  After leaving the Yankees in 1948 Harris returned for a third tour in Washington from  1950-1954 and finally managed in Detroit (second tour) for 1955 and 1956.  Harris was inducted into the Hall of Fame in 1975.

Costello: Look, you gotta outfield?
Abbott: Sure.
Costello: The left fielder's name?
Abbott: Why.
Costello: I just thought I'd ask you.
Abbott: Well, I just thought I'd tell ya.
Costello: Then tell me who's playing left field.
Abbott: Who's playing first.
Costello: I'm not... stay out of the infield! I want to know what's the guy's name in left field?
Abbott: No, What is on second.
Costello: I'm not asking you who's on second.
Abbott: Who's on first!
Costello: I don't know.
Abbott & Costello Together: Third base!
PAUSE
Costello: The left fielder's name?
Abbott: Why.
Costello: Because!
Abbott: Oh, he's centerfield.

Although the two had become synonymous with the sketch they were not the authors.  There is a question as to who wrote the sketch and numerous people claimed it was them.  Regardless of who wrote the lines, Abbott and Costello's timing perfected it.

Costello: Look, You gotta pitcher on this team?
Abbott: Sure.
Costello: The pitcher's name?
Abbott: Tomorrow.
Costello: You don't want to tell me today?
Abbott: I'm telling you now.
Costello: Then go ahead.
Abbott: Tomorrow!
Costello: What time?
Abbott: What time what?
Costello: What time tomorrow are you gonna tell me who's pitching?
Abbott: Now listen. Who is not pitching.
Costello: I'll break your arm, you say who's on first! I want to know what's the pitcher's name?
Abbott: What's on second.
Costello: I don't know.
Abbott & Costello Together: Third base!
There is a danger in working closely with a partner.  There are cautionary tales everywhere of two partners who work together and have a public face of perfect harmony but have a strained relationship in real life.  Lennon and McCartney.  Crosby and Hope.  Astaire and Rogers.  Martin and Lewis.  The Sherman Brothers.  Steven Tyler and Joe Perry.  Even Tinker and Evers had a period where they wouldn't speak to each other under any circumstances, though they still turned a double play better than anyone.  Abbott and Costello had a period of not speaking as well.  For about two to three years the two would not speak unless they were performing.  Legend has it that Costello fired a domestic servant who was immediately hired by Abbott.  Costello took it personally and refused to speak to the other.  After a few years the frost thawed and the relationship appeared to repair itself.

Costello: Got a catcher?
Abbott: Certainly.
Costello: The catcher's name?
Abbott: Today.
Costello: Today, and tomorrow's pitching.
Abbott: Now you've got it.
Costello: All we got is a couple of days on the team.
PAUSE
Costello: You know I'm a catcher too.
Abbott: So they tell me.
Costello: I get behind the plate to do some fancy catching, Tomorrow's pitching on my team and a heavy hitter gets up. Now the heavy hitter bunts the ball. When he bunts the ball, me, being a good catcher, I'm gonna throw the guy out at first base. So I pick up the ball and throw it to who?
Abbott: Now that's the first thing you've said right.
Costello: I don't even know what I'm talking about!
PAUSE
Abbott: That's all you have to do.
Costello: Is to throw the ball to first base.
Abbott: Yes!
Costello: Now who's got it?
Abbott: Naturally.


Just as with any successful formula, there were plenty of copy cat sketches.  The most common variation was the use of rock band names.  Instead of Who, What and I Don't Know the most common bands used in the sketch were The Who, The Guess Who, The Band and Yes.  This sketch was done on SCTV with Eugene Levy and Tony Rosato and a similar sketch was seen on the animated tv series Animaniacs in the 1990's with Slappy the Squirrel and her nephew Skippy.  Another variation was seen on The Kids in the Hall when Dave Foley played the worst vaudeville comedian ever.  As Kevin McDonald's character is preparing to be exasperated by his partner Foley stops and explains to McDonald that the names, which sound like questions are really regular names.  Foley even goes so far as to explain that the third baseman is "Iduno, Phil Iduno.  I-D-U-N-O.  But I can see how if you say it fast it could sound like 'Gee, I don't know.' but it's not.  It's Phil Iduno."


Costello: Look, if I throw the ball to first base, somebody's gotta get it. Now who has it?
Abbott: Naturally.
Costello: Who?
Abbott: Naturally.
Costello: Naturally?
Abbott: Naturally.
Costello: So I pick up the ball and I throw it to Naturally.
Abbott: No you don't, you throw the ball to Who.
Costello: Naturally.
Abbott: That's different.
Costello: That's what I said.
Abbott: You're not saying it...
Costello: I throw the ball to Naturally.
Abbott: You throw it to Who.
Costello: Naturally.
Abbott: That's it.
Costello: That's what I said!
Abbott: You ask me.
Costello: I throw the ball to who?
Abbott: Naturally.
Costello: Now you ask me.
Abbott: You throw the ball to Who?
Costello: Naturally.
Abbott: That's it.
Costello: Same as you! Same as YOU! I throw the ball to who. Whoever it is drops the ball and the guy runs to second. Who picks up the ball and throws it to What. What throws it to I Don't Know. I Don't Know throws it back to Tomorrow, Triple play. Another guy gets up and hits a long fly ball to Because. Why? I don't know! He's on third and I don't give a darn!
Abbott: What?
Costello: I said I don't give a darn!
Abbott: Oh, that's our shortstop.

Why has the sketch endured?  It is hard to say.  In  1999 Time magazine named "Who's on First" as the best comedy sketch of the century. Most people know the fictional starting lineup of Who, What and I Don't Know better than they do the starting infield of last year's World Series champs.  In 2007 the Dodgers called up a player late in the season for his first Major League experience.  As that player got his first Major League hit, a single, Vin Scully made the perfect call, as he always does.  Chin Ling Hu stood on first base with a single  and Vin said the perfect thing:  "Okay everbody, all together:  Hu's on first."


TRIVIA QUESTION:
Jimmy Fallon's late night show did a sketch featuring the character's of Who and I Don't Know.  What two legendary comedians played the two famous characters?

ANSWER TO LAST WEEK'S TRIVIA QUESTION:
The expansion draft for The Angels and replacement Senators team was a disaster.  The two teams were given a list of players to choose from.  By the rules, no team could lose more than seven players total and neither of the new teams could choose more than four players from any one team.  At the end of the final round it was revealed that the Tigers had lost more than seven players, the Angels had selected more than the four player limit from several teams and the Senators had done the same.  At that point the two teams had to back track and choose again, return players and trade some players to even everything out.  At the end of the draft it was again determined that the Senators had taken too many players from one team.  Instead of backtracking again the Senators decided to trade one of the players to the Angels.  The Angels had a choice of three players and reportedly their representative said "I don't know who to take.  We'll take a chance on Chance."  They were referring to Dean Chance who went on to become one of the first stars of the organization finishing third in the 1962 Rookie of the Year voting and winning the Cy Young awared in 1964.

Saturday, October 20, 2012

Greatest World Series Moments: Most Supernatural

Washington: First in war, first in peace and last in the American League.

It was a stale old joke that started in 1901with the start of the American League and the Washington Senators were sick of it.  In the first ten years of the league they had finished above 7th (out of 8 teams) twice, and both of those seasons they only reached 6th.  They weren't a baseball organization, they were  a punchline.

Fans of the Senators had one silver lining: they had the greatest pitcher in the history of the game pitching for one of the worst teams of all time.  The next time you hear someone say the Padres need to trade Chase Headley, the Pirates need to trade Andrew McCutcheon or the Rockies need to trade Carlos Gonzalez because no player with that much talent should have to play in a baseball grave yard you can reply with one simple answer:  Walter Johnson. 

(Walter Johnson won 417 games in his career, second only to Cy Young's 511.  He is regarded by many as the greatest pitcher of all time.  If anyone wants to read a great baseball book I recommend reading the biography Walter Johnson: Baseball's Big Train  by Henry W. Thomas.)
 

He ended his career with 417 wins, winning 20 games or more 12 times including 33 games one year and 36 another.  What makes his career even more amazing is the fact that he achieved these numbers on a terrible team.  He won more games by one run than anyone in history but the best stat of all is that he lost more games by 1-0 than anyone else.  26 times in his career he held the opponent to one run and lost the game because the pathetic Senators offense couldn't push across a single run.  Imagine the number of wins he could have had with just slight run support.  In an era where celebrity was new and baseball ruled the sports world, Johnson was adored.  Ruth and Cobb got headlines for  the wrong reasons.  Johnson got headlines for being polite, humble, ethical, an example to the youth.

As the years went on and Johnson plugged along, there were small signs of improvement in the nation's capital and fans tried to be excited.  They reached second place three times, a distant second, but they quickly slipped back into the lower division.


(Walter Johnson spent his entire career with the lowly Washington Senators.  Between 1908 and 1923 the Senators finished in the top three only four times.  Even in those years they finished 6.5, 14 and 29.5 games behind first place.  Little was expected of the Senators as they entered the 1924 season.)
 

Leading up to the 1924 season Bucky Harris, a young secondbaseman in only his fifth year in the league, was named player-manager.  The predictions were dismal and little was expected.  Their team was made up of young players who had shown little promise and older veterans seemingly on their way out.  Their shortstop, Roger Peckinpaugh, was best known for making an error in the final game of the 1921 World Series, allowing the only run of the game to score.

1924 was different somehow.  The Senators went 20-4 from mid June to early July and took over first place.  You could almost hear the nation chuckle.  The Senators in first place.  It's like when Jerry stands next to an electrical socket and picks up Tom's tail, then winks at the audience.  You know what the joke is but you watch it anyways and you laugh when it happens.

The longer they stayed in the race, the bigger the comedic payoff  was expected to be when the Yankees would catch them by the tail.  Funny thing was, the Yankees grabbed the tail a few times and tied for first place for a day or so but they could never quite get the punch line to stick.  Washington took over first place for good on September 19 and Walter Johnson was named MVP of the season with a 23-7 record.  Suddenly this wasn't a  joke.  This was real.

(Bucky Harris took over as manager before the start of the 1924 season.  He was a young, inexperienced manager.  He had the support and respect of his teammates and lead the team to their first ever American League pennant.)


Certainly the punch line was just being delayed.  The Giants would drop the banana peel for sure.  The Giants were the opposite of the Senators.  A power house full of cocky, experienced future hall of famers (no less than seven), the Giants had been in the World Series eight times out of the first 19 (it easily could have been an even ten).  This was their ninth visit overall and their fourth straight appearance.

 In 1921 and 1922 they beat the Yankees and lost to the Yankees in 1923.  John McGraw, arguably the best manager of all time, was furious about that loss.  He hated Ruth for ruining the game with all these home runs, hated the Yankees for cutting into his New York profits and hated the American League for too many reasons to go into in this article.  His Giants had been beaten last year by those AL punk Yankees.  The entire 1924 season was about proving that the Giants were still kings and they certainly wouldn't lose to this lousy team.  It was almost insulting to lower the great Giant name by beating a second rate organization like the Senators.

(John McGraw managed the Giants from 1902-1932.  During that time his teams reached the World Series nine times and won three.  He is considered by many the greatest manager of all time.  Entering the 1924 season he was still angry at the team's World Series loss to the Yankees in 1923.)



The Senators were not only the underdog fan favorite, Walter Johnson was the nation's favorite.  The nation wanted to see Walter succeed.  The pressure was on Walter to make his supporters happy.  In game 1 he took the loss, though it would be hard to say he deserved to lose it.  He pitched 12 innings and lost 4-3.  Another 1 run loss.  Johnson's second appearance in game 5 was less heroic.  He gave up six runs in eight innings and lost again.  He was dejected, feeling he had let down his supporters, his team mates and Clark Griffith, the Senators' owner.  Almost inconsolable, Johnson felt he had lost his one opportunity at a world title.

As the series moved to game 7, no one wanted to see the punch line land anymore.  It wouldn't be funny.  It would just be cruel, tragic.

Game 7.  Bottom 8th.  2 outs.  Runners on 2nd and 3d.  Washington 2 runs down.

The basic fundamentals of baseball tell the runners in this situation that they run like hell as soon as they hear the crack of the bat.  When you have played the game as often as Nemo Leibold and Muddy Ruel you can often tell from the sound of the bat whether it will be worth the effort.

Bucky Harris made contact and the runners were in motion.  The sound was not encouraging.  A routine ground ball to thirdbaseman Fred Lindstrom, a great fielding thirdbaseman and a future hall of famer early in his career.  Leibold moved the ninety feet and touched home plate, a seemingly useless routine.  Ruel also moved on contact and ran as fast as he could, which unfortunately was not that fast.  Ruel was generally considered one of the slowest runners in either league.  As he neared third base he expected to see the Giants walking toward the dugout as the routine play was executed to end the inning.  What he saw instead was the third base coach with his arm spinning fast enough to tear the shoulder out of the socket and screaming at the top of his lungs to get his ass moving.  It was too loud for him to hear what was being yelled.  Ruel ran faster, or tried to, and rounded third.

(Harry Leibold was nicknamed "Nemo" after his resemblance to the comic strip character "Little Nemo".  Nemo had played for the 1919 White Sox and was one of the "Clean Sox" who did not participate in the conspiracy with the "Black Sox".  He scored ahead of Muddy Ruel in Game 7 of the 1924 World Series.)

Lindstrom had seen the ball off the bat and readied to field the ball.  Hands chest high, knees soft, eyes on the ball.  One more hop and he would have it.  Then the second most bizarre, unexpected, unpredictable thing in the history of the World Series happened.   The ball hit a pebble or hard clump of dirt, or something, and took the biggest bounce you've ever seen, ten feet in the air.  Lindstrom jumped as high as he could but the ball went over his head. 

Call it what you want.  A bad bounce, intervention from the baseball gods, luck.  Whatever you call it this game 7 was tied.


(Fred Lindstrom is one of the unluckiest players in history.  A strong fielder and future hall of famer, Lindstrom had no chance to field the ball when it took a big bounce over his head in the 8th.  His day would get worse.
 

As the top of the 9th started Walter Johnson took the mound.  How much cruelty was this man supposed to take?  The nation stopped waiting to laugh and started waiting to cry.  This time, when Jerry smacked Tom in the face with the frying pan it wouldn't be a punchline it would be a sucker  punch.  Tension mounted as the game moved through the 9th, the 10th, the 11th and the 12th inning.  Walter was courageous as he continued to set down the experienced Giants lineup but he was constantly in danger.  Fans sat on the edge of their seats.  Praying, wringing their hands, rocking in their seats, exhaling with each strike, gasping at each ball.  It was constant tension.

The Giants had runners on 2nd and 3d in the 9th but Walter got a ground ball to work out of trouble.  He walked the lead off hitter in the 10th but got a double play ball to escape danger.  There were two runners on in the 11th when he got a strike out to keep the game tied.  The 12th was the easiest as he gave up a lead off single but nothing else.

The suspense was maddening.  If the game took place today, graphics would start appearing on your screen to compare this game to other extra inning World Series games and announcers would be telling you that the longest game in World Series history was in 1916 when a young pitcher named Babe Ruth won 2-1 for the Red Sox, pitching all 14 innings.  We would see shots of fans praying, hands over their eyes, waiting for something bad to happen.

If the eighth inning divine intervention wasn't enough to make some people believe the Senators were a team of destiny, the bottom of the 12th made it undeniable.  Ralph Miller led off for Washington with an easy ground ball.  1 out.  Muddy Ruel had only one hit in 19 at bats to this point in the series. As he stepped in to bat, and Johnson set to bat next, Senators fans wondered how long Johnson would be able to hold out.  Ruel swung and popped a ball straight up behind home plate.  Hank Gowdy, the Giants Catcher, tore off his mask and tracked the ball.  He threw the mask down.  The ball had gone straight up, then drifted back toward the plate, drifted some more, it just kept drifting.  Gowdy kept tracking it as it came down and was finally ready to pull it in and as he took his last step he planted his foot directly in the discarded catchers mask.  It clung to his foot.  He shook the foot to get it off.  Planted the foot again but the damn mask was still there. He fell to the ground and the ball fell next to him.  




(Hank Gowdy was the hero of the 1914 World Series for the "Miracle" Boston Braves.  He was also the first active Major League player to volunteer for military service during World War I.  The Giants poor luck continued when a drifting foul pop caused Gowdy to trip over his discarded catcher's mask.)
 

"That mask up and bit Gowdy!"  Clark Griffith yelled from his owner's boxed seats.  No one could believe what they were seeing.

Ruel made them pay with a double to left.  Maybe there was some magic left.  Johnson stepped in to bat and hit a ball right at Travis Jackson, the shortstop, another hall of famer, who couldn't handle the ground ball and his error allowed Johnson to reach safely. 

1st and 2nd.  1 out.  Earl McNeely at the plate.  A base hit would win it.  The Giants moved to double play depth hoping to prolong the game. 

On the second pitch McNeely swung and the ball was grounded toward Lindstrom at third.  McNeely had average speed and Lindstrom might have to hurry but this was a perfect double play opportunity.  Ruel, on second ran like hell, well, as close as someone with his speed could, hoping to decoy Lindstrom into a tag.  Lindstrom ignored him and Ruel saw Lindstrom ready to field the ball.

Then the absolutely most bizarre, supernatural, unbelievable thing  in the history of the World Series happened.  Ruel saw, out of the corner of his eye, a sudden, drastic, desperate motion.  It was Lindstrom.  Leaping.  Reaching desperately to grab the ball that had hit the exact same pebble, or hard spot or whatever it was, and bounced ten feet in the air, over his head.  It was eerily similar.  He saw the thirdbase coach swinging his arm like a propeller ready for take off.

Ruel didn't have time to look around and see what had happened and the ball didn't get that far into the outfield.  As Ruel turned third Irish Meusel ran in from leftfield and fielded the ball.  This would be close.  Meusel dropped his glove hand, fielded, turned, cocked his arm to fire the ball home and... never made a throw.  Ruel came in to score.

(Muddy Ruel scores the winning run without a throw from Irish Meusel.  John McGraw would berate Meusel on the train ride home demanding to know why he hadn't thrown home to make a play on Ruel.)

The crowd had been on the edge of their seat since the 8th inning frenzy.  All the emotions let loose.  The tension, the anguish, the hoping, the decades of disappointment, everything flooded out in a drowning wave of noise.  This play turned the baseball world on end.  Tom had finally caught Jerry.  The Senators were finally World Series Champions.

First in war, first in peace and first time World Champions!